

► A woman stands in a parking lot as a car speeds toward her, she fires a gun and the car swerves into a parked car where the driver gets out stumbling, with some blood on his lips and the woman steals the car.

► A woman holds a pen in the shower stall of her prison cell, turns on the water and stabs her own arm to draw blood (we see a bandage on it later) something unseen grabs her and the water makes an electronic skin-suit appear as a police officer enters the cell, draws a taser, and the suit forces the crackling weapon under the officer’s chin, shocking him (he has a seizure), the suit runs out, and the woman chases it, only to be knocked down and dragged by the feet by two other officers the suit punches the two officers in the throat and they fall unconscious.
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► A woman wakes up and sneaks out of a house after disarming multiple alarms, she kicks a dog dish in the dark very loudly and gasps, she finds the dog in the garage and gasps, removes its alarm-collar and it bumps a car that sets off a loud alarm and flashing lights for several seconds as she runs through woods and climbs into another woman’s car chased by her husband who runs up, smashes the side windows with his fist and the two women scream as the driver speeds away (the man’s hand is covered with a large amount of blood). ► An extended fight scene shows an electronic suit fighting several armed police officers with choking, punches, several kicks and body slams: one officer falls through a window, shattering it, and lands on the floor unconscious with blood on his face, the suit makes one officer shoot his own knee (splattering blood across a wall), the officer screams and falls after the suit punches him, the suit then points a gun at an officer and says, “Bang” and walks by, and then turns and shoots in the direction of the officer who is now off-screen and drops the gun (the camera pans back to show several officers lying in some blood but it is unclear whether they are alive) the suit runs into a stairwell, followed by a woman he assaulted, she fires a handgun and misses, enters a lobby where she sees two doors open by themselves and she runs outside into heavy rain where she sees an electronic suit moving away from the building and she shoots again and misses a woman is grabbed by an unseen person, choked and told he will kill someone she loves, and the suit has a handgun and shoots a police officer (we see a bleeding wound on his leg) who screams and falls and the suit punches him in the head, and then runs away. A man and a woman argue at a dinner table, she cries and he approaches, grabbing her knee, she goes to the bathroom and he sits down as a large knife appears and slits the man’s throat (he clutches his throat, gagging and gurgling as we see profuse bleeding and severed muscles) the woman hurries out of the washroom, screams, and calls 911 as the man falls off his chair and dies. – A woman tells another woman that her dead husband is really alive and trying to kill her, the other woman objects, and a carving knife appears, slits her throat and slams its bloody handle into the palm of the other woman the woman screams and men and women back away and leave, blood covers the victim and the table and drips onto the floor, police officers enter and grab the woman with the knife, slam her to the floor, and the scene cuts to the woman being dragged as she struggles and screams she is strapped to a bed, screaming at an empty corner of the room, repeating, “You killed her!” and an attendant closes the cell door after the woman receives a sedative injection in close-up (we see the needle enter her arm and the woman becomes comatose as a disembodied male voice near her says, “Hi”). Also with Harriet Dyer, Aldis Hodge, Storm Reid and Michael Dorman. Believing that he faked his death and is now invisible and continuing to stalk her and abuse her, she has difficulty making authorities believe her.

Wells classic, a violently abusive man (Oliver Jackson-Cohen) torments his ex (Elisabeth Moss) and as his final act he commits suicide - or so it seems. Read our parents’ guide below for details on sexual content, violence & strong language.” Why is “The Invisible Man” rated R? The MPAA rating has been assigned for “some strong bloody violence, and language.” The evaluation includes a few cleavage revealing outfits several scenes of psychological torment, several scenes of gunshots wounding or killing people and leaving bloody wounds, two scenes of throats being slit with copious blood, several scenes of fighting ending with injured people with bloody wounds, and discussions of abusive relationships and at least 5 F-words and other strong language.
